Paladio – Paládio ‹ pizzeria, reštaurácia Nové Zámky

Paladio

Summary: Celita Paladio was born on 01/11/1978 and is 42 years old. Previously city included Houston TX. Celita also answers to Amelia M Paladio, Celita Marie Paladio and Celita M Paladio, and perhaps a couple of other names. He currently works as a Registered Nurse at The Methodist Hospital System.

Early life and works Palladio was born in the northern Italian region of the Veneto, where, as a youth, he was apprenticed to a sculptor in Padua until, at the age of 16, he moved to nearby Vicenza and enrolled in the guild of the bricklayers and stonemasons. He was employed as a mason in workshops specializing in monuments and decorative sculpture in the style of the Mannerist architect Michele Sanmicheli of Verona. Between and Count Gian Giorgio Trissino , a Humanist poet and scholar, was rebuilding his villa at Cricoli outside Vicenza in the ancient Roman, or classical, style.

Palladio, working there as a mason, was noticed by Trissino, who undertook to expand his practical experience with a Humanist education. The Villa Trissino was rebuilt to a plan reminiscent of designs of Baldassarre Peruzzi , an important High Renaissance architect. At the Villa Trissino, Palladio met the young aristocracy of Vicenza, some of whom were to become his patrons. By he had stylistically assimilated the Mannerist works of Michele Sanmicheli and the High Renaissance buildings of Jacopo Sansovino , whose library of St.

He had probably been introduced in Padua to Alvise Cornaro , whose designs were the first to import the Roman Renaissance style to northern Italy. Get a Britannica Premium subscription and gain access to exclusive content. The Villa Godi has a plan clearly derived from the Villa Trissino but with similarities to traditional Venetian country houses.

In elevation the Palazzo Civena is close to the High Renaissance palace type developed in the early 16th century in Rome. An innovative feature is the use of traditional arcaded pavement of northern Italy behind the main elevation, an idea that Palladio reinterpreted in imitation of an ancient Roman forum.

These visits greatly affected his palace designs. He also measured ancient Roman antiquities, notably the baths. In Palladio prepared designs for the reconstruction of the 15th-century town hall in Vicenza , known since then as the Basilica, and in these plans were accepted, though much earlier designs, drawn in by the Mannerist architect and painter Giulio Romano and by several other distinguished architects, had been previously rejected.

This was his first major public commission, and the work, which was not actually finished until , involved recasing a vast hall with a two-story arcade of white stone to serve as a buttress to the old structure.

Up to Palladio produced three basic palace types. The first, in , was the Palazzo Chiericati, in which he extended his Palazzo Civena forum idea of a block with its axis parallel to the pavement, which it envelops in a loggia, or roofed open gallery.

The tripartite division of the colonnaded elevation, which gives the building a definite central focus, was an innovation. The second, in , was seen in the Palazzo Iseppo Porto, Vicenza, in which he stated in its clearest form his reconstruction of a Roman house.

But it was planned in what Palladio believed to be the ancient Roman style. Two tetrastyle halls with four columns each were placed on opposite sides of a court surrounded by a giant colonnade of Corinthian columns. The third, in , was in the Palazzo Antonini in Udine , which has a square plan with a central four-column tetrastyle hall and the service quarters asymmetrically to one side.

The facade has six columns, which are attached to the wall rather than freestanding and which are centrally placed on each of the two floors, surmounted by a pediment or a low-pitched gable—a device normally used in his villas. The design is the first in which Palladio was influenced deeply by the prevailing contemporary style of Mannerism and especially by Giulio Romano , who was in Vicenza when the project was begun. The new edition was published in Venice in The latter are both Mannerist elements, used particularly by Michelangelo.

Giant orders were also used in the massive and unfinished Palazzo Porto-Breganze of c. The latter was built in emulation of many similar loggias, such as those of Florence and Venice. The lower floor was to be a raised platform open to the square and the upper a meeting hall. The original decoration was adapted to symbolize the contribution of Vicenza to the Venetian victory over the Turks at Lepanto in , and a triumphal-arch motif was added to the side elevation.

But the cost of the victory so impoverished the government that only three bays, or sections, were built of a possible five or seven intended. When the simplicity of his early designs was abandoned, it was largely to incorporate details warranted by the examination of buildings of the late Roman Empire, reflecting archaeological study common to his period.

For practical reasons these buildings were always of stuccoed brickwork with a minimum of carved-stone detail. His aim was to recreate the Roman villa as he had come to understand it from Latin descriptions in the writings of Pliny and Vitruvius.

He developed the prototype plan of Villa Trissino with many variations at Cricoli. The plan could change in scale and function to serve as a summer residence of an urban aristocrat or the estate headquarters of a gentleman farmer. This was a hilltop belvedere , or summer house, with a view, of completely symmetrical plan with hexastyle, or porticoes on each of four sides and central circular halls surmounted by domes.

The Villa Trissino at Meledo, of the same type, was to have curved wings attached to the main portico. This was a device Palladio usually used when less consideration had to be given to farming and agricultural use of the land. Palladio adapted the classical temple front to the facades of his villas because it had the dignity suitable for an entrance. He reasoned that, since ancient temples such as the Pantheon in Rome had pedimented porticoes, houses, which preceded temples, would also have had them.

Sometimes, as at the Villa Cornaro c. Normally as at the Villa Foscari at Mira, called Malcontenta []; the Villa Emo at Fanzolo [late s]; and the Villa Badoer , the porch covers one major story and the attic, the entire structure being raised on a base that contains service areas and storage.

In a third type the temple front covers the whole front of the house, as at the Villa Barbaro c. This villa retains the contemporary fresco interiors painted by the Venetian master Paolo Veronese c. At the Villa Thiene c. At the Villa Sarego c. This design differs from the normal villa in its two-story rusticated colonnade forming loggias to rooms arranged around three sides of a court. It is reminiscent of the court to the Pitti Palace in Florence, built in by the Mannerist architect and sculptor Bartolommeo Ammannati — He attached great importance to the courts that flanked or stood in front of the house, since they extended its axial symmetry and proportion.

This work was a summary of his studies of classical architecture. He used a number of his own designs to exemplify the principles of Roman design. His executed designs are frequently corrected, particularly in the case of early works like the Villa Godi. They are marked with dimensions according to a system of mathematical ratio.

The third book contains designs for bridges, ancient town planning , and basilicas, or ancient Roman oblong halls for public assembly, later adopted as a prototype for the Christian church. The fourth book has to do with the reconstruction of ancient Roman temples. Andrea Palladio.

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Summary: Celita Paladio was born on 01/11/1978 and is 42 years old. Previously city included Houston TX. Celita also answers to Amelia M Paladio, Celita Marie Paladio and Celita M Paladio, and perhaps a couple of other names. He currently works as a Registered Nurse at The Methodist Hospital System.

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